aily nash

• about
• contact

• curatorial
• currents - nyff 2023
• currents - nyff 2022
• entry - kunsthaus bregenz
• teen spirits - open city 2022
• currents - nyff 2021
• eduardo williams - redcat
• currents - nyff 2020
• tokyo photographic art museum
• projections - nyff 2019
• image employment, saic, chicago
• provisional presents and speculative futures - ica
• lux & ica - the operative image workshop
• spectral vision - ghost:2561
• projections - nyff 2018
• the optics of space, helsinki
• images festival 2018, toronto
• projections - nyff 2017
• video data bank program
• kiasma screening, helsinki
• mobius fellowship, helsinki
• tabakalera film seminar, spain
• 2017 whitney biennial film program
• projections - nyff 2016
• doc's kingdom, portugal
• basilica screenings 2016
• grand century - paramount ranch
• projections - nyff 2015
• hqtbd - debbie's lil restaurant
• basilica screenings 2015
• hqtbd - still//life
• projections - nyff 2014
• basilica screenings 2014
• image employment - moma ps1
• a spell - moma ps1
• to look is to labor
• basilica screenings 2013
• crossing brooklyn ferry - bam
• dream factory
• kidlat tahimik
• basilica screenings 2012
• amoeba city
• kinema nippon
• virtual corps

• text
• non-fiction: peculiar forms
• gallery tpw: trisha baga biologue interview
• vdb: sandwiched between trauma and apocalypse
• vdrome: james n kienitz wilkins
• 2017 whitney biennial catalogue roundtable
• bomb: rachel rose interview
• film comment: ana vaz interview
• bomb: basma alsharif interview
• brooklyn rail: oberhausen turns sixty
• success²: farocki's A NEW PRODUCT
• cinematograph vol. 7: kidlat tahimik interview
• artforum.com: punto de vista 2013
• brooklyn rail: deborah stratman interview
• de Filmkrant: corta at iffr
• kinema nippon publication
• brooklyn rail: views from the avant garde
• brooklyn rail: apichatpong's PRIMITIVE
• brooklyn rail: migrating forms
• brooklyn rail: rotterdam 2011

• teaching
• 2014 - present

copyright 2020

• Built with Indexhibit

POSTCARD FROM THE AVANT-GARDE: Highlights from the 49th NYFF’s Views

- november 2011